Interaktive 3D-Zeugnisse von Holocaust-Überlebenden. Chancen und Grenzen einer innovativen Technologie
Date
2021-02
Authors
Ballis, Anja
Gloe, Markus
Duda, Florian
Heindl, Fabian
Hüttl, Ernst
Kolb, Daniel
Schwendemann, Lisa
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Abstract
Interaktive 3D-Zeugnisse stellen einen neuartigen Ansatz für die Herstellung von und den Zugang zu Erinnerungen an den Holocaust dar. Dabei ist das Wissen über die Entwicklung, Funktion oder mögliche Nutzung dieser Technologie noch vergleichsweise gering. Im deutschsprachigen Projekt „Lernen mit digitalen Zeugnissen“ (LediZ) an der LMU München werden der Entstehungsprozess und die Interaktion mit digitalen 3D-Zeugnissen genauer untersucht. Die Beiträge in diesem Band stellen Überlegungen zu den Kommunikationsstrukturen interaktiver digitaler 3D-Zeugnisse an und beleuchten weitere Aspekte und Problemstellungen dieses Formats aus unterschiedlichen wissenschaftlichen Perspektiven. Ziel des Bandes ist es, einen Einblick in Entwicklung und Erforschung interaktiver 3D-Zeugnisse von Holocaust-Überlebenden zu geben.
Interactive 3D testimonies are an innovative approach to recording and accessing accounts of survivors of the Holocaust. However, researchers know relatively little about the development, function and possible uses of this technology. The LediZ project, conducted by the University of Munich in Germany, examines the production process behind digital 3D testimonies as well as how people interact with them. The papers in this publication explore the communication structures involved in interactive 3D testimonies and investigate manifold aspects of this format from different scientific perspectives. The aim of this volume is to give insights into the development and research of interactive 3D testimonies of Holocaust survivors.
Interactive 3D testimonies are an innovative approach to recording and accessing accounts of survivors of the Holocaust. However, researchers know relatively little about the development, function and possible uses of this technology. The LediZ project, conducted by the University of Munich in Germany, examines the production process behind digital 3D testimonies as well as how people interact with them. The papers in this publication explore the communication structures involved in interactive 3D testimonies and investigate manifold aspects of this format from different scientific perspectives. The aim of this volume is to give insights into the development and research of interactive 3D testimonies of Holocaust survivors.
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Except where otherwised noted, this item's license is described as Namensnennung 3.0 Deutschland